THREE EXTREMES
An anthology of short films from three of Asia’s
most compelling directors - Fruit Chan, Park Chan-Wook,
and Takashi Miike
A beautiful female novelist, still guilt-ridden
over the childhood death of her twin sister, receives
a mysterious invitation to meet at the site of
her sister’s demise…
A retired actress longing to retain her beauty
seeks the rejuvenating effects of a doctor’s “special”
dumplings, only to discover they contain one horrifying
ingredient…
A film director is abducted by a vengeful
stranger and forced to make an impossible choice
that will change his life forever…
Exploring the outer limits of the macabre, Lions
Gate Films’ THREE … EXTREMES is a bracing triptych
of horror stories uniting three of East Asia’s
most compelling directors – Japanese cult figure
Takashi Miike, Hong Kong’s Fruit Chan, and Korea’s
award-winning PARK Chan-Wook. Using distinctive
cinematic styles that span dream-like minimalism,
savage comedy and baroque horror, these cutting-edge
directors penetrate the dark heart of desire,
examining the ghastly urges that transform ordinary
people into monsters. Stylish, twisted and laced
with haunting imagery, THREE … EXTREMES breaks
the bounds of genre cinema, confirming the visionary
talent of three master directors.
Official Site: http://www.threeextremes.com/
Trailers:
Japan Segment
– “Box”
Directed by MIIKE TAKASHI
Cast Kyoko Hasegawa & Atsuro Watabe
Synopsis
Kyoko is a successful novelist and a renowned
beauty, yet she confines herself to a solitary
life behind a veil of secrecy. She has ambivalent
feelings towards her editor who is obviously infatuated
with her. Kyoko, however, is not in a position
to open her heart to her editor... or to anyone.
It all began with a traumatic experience in her
childhood that has remained unspoken. At the tender
age of ten, Kyoko accidentally caused her twin
sister Shoko -- a rival for the affection of their
surrogate father Hikita -- to be burned to death.
Stricken by grief, Hikita vanished shortly afterwards.
Kyoko has been haunted by the memory of her twin
since, and she has devoted her life to the search
for Hikita whom her editor coincidentally resembles.
Kyoko is uncontrollably attracted to him and at
the same time terrorized by it – is there something
beyond pure coincidence?
One day, Kyoko finds a bouquet of flowers on
her desk accompanied by an invitation card. The
card indicates only the venue and the time of
a meeting -- the place is where her sister died...
MIIKE TAKASHI
Born in 1960, Takashi Miike represents the finest
if not the most avant-garde of the contemporary
Japanese cinema. A unique filmmaker by any definition,
Miike has cultivated a wide ranging taste that
encompasses star vehicles, TV soaps, Yakuza genre
pictures and even the occasional musical. He started
out as an assistant director for television then
broke into directing in the early 90s making low-budget
action flicks for the V-Cinema, amongst which,
the 1995 production “Shinjuku Triad Society” was
his first theatrically released film. His international
breakthrough came with 'Audition' in 1999 which
stirred up an ever expanding cult following in
the West. Notorious for his explicit and taboo
representations of violence and sex, Miike also
possesses an unsurpassed energy that was sufficient
for him to create more than 60 films in his 13
years of career as a director. Ranked by Time
magazine recently as one of the top ten hottest
young directors to watch in the world, Miike had
a retrospective featured by the Cannes Film Festival
in 2003.
Director’s Statement
When I first heard of three different directors
committing to one omnibus film, I immediately
related it to making experimental films in film
school. The best part is that we were more relaxed
in the process whereas the film students would
be quite desperate. I was so excited when I learnt
the names of the other two directors -- Chan and
Park are both talented and powerful. Not only
did their names give me a relief, their involvement
also convinced me that the audiences would forgive
me for making a bizarre film given the other two
prominent short films side by side.
I can’t explain why, but all I had in mind was
to make a calm, quiet film -- a film so quiet
that it would drive you mad. We looked for a story
that would fit our purpose, but could not find
any. That’s why we made an original script this
time. “Box” is different in a sense that it does
not follow an “ideal” narrative structure. The
film begins with maximum tension right away and
the same tension lasts throughout the entire film.
I omitted talkative characters centering on only
the introverted novelist, her quiet editor and
a pair of dancing twins. To keep out the crowds
and the noise they made, I shot many scenes with
entire screen full of snowfall. The effect was
superb. It was as if the story itself had frozen
and no one could know what’s happening next --
a search for the future but ending up in despair…and
the film was completed. Now it is up to the audience
to “feel” it. I hope everyone will use all their
senses -- feel and enjoy the terror in the “Box”.
MIIKE TAKASHI: Selected Filmography
1995 “Shinjuku Triad Society“
1996 “The New Generation” -- Fantasia Section
Award: Best Film (Live Action) -- Fantasporto
1998
-- International Fantasy Film Special Jury Award
– Fantasporto 1998
1997 “Kishiwada Shonen Gurentai”
1998 “Andromedia”
“Bird People In China” -- Audience Award: Best
Feature -- Hawaii Int’l Film Festival 1998
1999 “Nihon KuroShakai~Ley Lines”
“Salaryman Kintaro”
“Dead or Alive” – Asian Film Award: Special Mention
– Tokyo Int’l Film Festival 1999
2000 “The City of Lost Souls”
“The Audition” -- International Fantasy Film Award:
Special Mention -- Fantasporto 2000
-- FIPRESCI Prize -- Rotterdam Int’l Film Festival
2000
-- KFN Award -- Rotterdam Int’l Film Festival
2000
2001 “Visitor Q” -- Best Asian Film -- Fant-Asia
Film Festival 2001
“Outlaw Souls” -- Orient Express Award -- Catalonian
Int’l Film Festival (Spain) 2002
“Ichi the Killer” -- Jury Award – Neuchatel Int’l
Fantasy Film Festival 2002
“Happiness of the Katakuris” -- Special Jury Prize
-- Gerardmer Film Festival 2004
2002 -- Emerging Masters Showcase Award -- Seattle
Int. Film Festival
“Graveyard of Honor”
2003 “Yurusarezaru Mono”
“Gozu” -- Best Film -- Catalonian Int’l Film Festival
(Spain) 2003
-- Best Asian Film -- Neuchatel International
Fantasy Film Festival 2003
-- Jury Award -- Neuchatel International Fantasy
Film Festival 2003
2004 “One missed call”
“Zebrahman”
“Three 2: Box”
Kyoko Hasegawa
Kyoko Hasegawa started her career as a commercial
model before moving into television in 2000. Her
major breakthrough came last year with her mesmerizing
performance in Fuji TV’s drama series “My Madonna”
which took the nation by storm and secured her
idol status. Already featured in over ten commercial
campaigns this year, Hasegawa is widely considered
by the media as the most likely candidate to succeed
to the throne of Japan’s queen of TV drama.
This is Kyoko Hasegawa’s first time in a feature
film, and absolutely her first time to star in
one. I was so amazed by her performance. She was
spectacular in the snow, and I was glad to see
that it all came out in the picture. She was very
avid in a good sense, and was meant to be an actress.
--Takashi Miike
Kyoko Hasegawa : Filmography
2004 “Three 2: Box” -- directed by Takashi Miike
Television Drama Series
2000 “Love Chat” -- Fuji TV
2001 “Santa Claus in the Summer” -- NTV
“The love of Star” -- Fuji TV
2002 “Pretty Girl” -- TBS
“See You in Kuron” -- ANB
“Big Money!” -- Fuji TV
“Searching for My Pole Star” -- Fuji TV
“Their Christmas” -- Fuji TV Christmas special
drama
? anti - Xmas girl? main cast
“Akahige” -- Fuji TV A period drama
2003 “Itsumohutaride” -- Fuji TV
“My Madonna” -- Fuji TV heroin
2004 “Wonderful Life” -- Fuji TV heroin
“Scheherazade” -- NHK heroin
Stage
2004 “Midsummer Carol”
Korea Segment
– “Cut”
Written and Directed by PARK Chan-Wook
Cast LEE Byung-Hun, LIM Won-Hee & GANG Hye-Jung
Synopsis
RYU Ji-Ho is a successful film director who has
earned wide and solid respect from audiences and
critics alike. Wealthy, respected, talented, happily-married,
good-looking and also kind in nature -- everything
about Ryu is the definition of Mr. Perfect… that
is, until he returns home one day after finishing
a shoot to encounter a complete stranger in his
living room.
The stranger is a male extra whom Ryu had never
paid attention to. Probably no one else ever did
either. Madly jealous of the director’s good fortune,
the man is there to destroy. He has brought along
a child and has taken Ryu’s pianist wife as a
hostage. He offers Ryu two choices, to kill the
child or to watch his wife’s fingers being cut
off -- one after another. Either way, Ryu’s life
will never be the same again. Tormented by the
dilemma, the people in the house cannot but fall
prey to the madman’s monstrosity -- which gradually
proves itself to be contagious.
PARK Chan-Wook
Born in 1963, Park graduated from from Sugang
University with a degree in philosophy. An avid
lover of film and art, Park began his career as
a movie critic before becoming an assistant director
in 1988 and then making his directorial debut
in 1992 with “The Moon is… the Sun’s Dream”. His
fame took off in 2000 with his mystery thriller
“JSA: Joint Security Area” which became an instant
pan-Asia hit and the then highest-grossing film
ever in Korea. Winner of this year’s Grand Prix
at Cannes with “Old Boy”, Park is among the very
few in Asia who have the talent and charisma to
merge critical acclaim with commercial success.
PARK Chan-Wook: Director’s Statement
Most of my films purport to carry the theme of
vengeance -- they are actually stories about the
transferring of people’s guilty conscience; about
people who place the blame for their actions on
others because they refuse to take on the blame
themselves. “Cut” in this case bears the same
core but with a variation -- it deals with the
situation of a particular dilemma. In my opinion,
choice and dilemma are extremely dramatic subject
matter. Similar to my previous work “Old Boy”,
the protagonist in “Cut” is also forced by the
villain to make an irreversible choice. If making
a choice means having to deny everything that
one has believed in, no one is ever safe from
his or her own self. Life is an endless process
of making choices. Through “Cut” I want to show
that “choice” itself can be the most frightening
horror that awaits us in the course of our daily
lives.
PARK Chan-Wook: Filmography
1992 “The Moon is… the Sun’s Dream”
1997 “Trio”
1999 “Judgment – Short Film” -- Clermont-Ferrand
Int’l Short Film Festival
2000 “JSA: Joint Security Area “ -- Official
Competition-- Berlin Int’l Film Festival 2001
-- New Director’s Showcase Special Jury Price,
Seattle Int’l Film Fest. 2001
-- Best Film Award – Panasia Film Festival, Deauville,
Frnace
-- Blue Ribbon Award 2002
2002 -- Emerging Masters Showcase Award – Seattle
Int’l Film Festival 2002
“Sympathy for Mr. Vengeance” -- Forum-- Berlin
Int’l Film Festival 2003
-- Best Asian Film – Fant-Asia Film Festival 2003
2003 “Old Boy” –Grand Prix -- Cannes Film Festival
2004
“N.E.P.A.L” (one of the six segments of “If You
Were Me”)
2004 “Three 2: Cut”
LEE Byung-Hun
Born in 1970, Lee first majored in French Literature
at Chungdong University, and later, in Theatre
& Cinematography at Hangyang University. Definitely
one the most popular actors in Korea, Lee has
already made over 20 TV drama series and 11 films
in 13 years. He started acting in KBS television
dramas in 1991 winning the station’s Actor of
the Year in 1992, 1993, 1995 & 1996 as well
as SBS’s Actor of the Year for in 2001. His fame
went sky-high in 1999 with his widely acclaimed
national hit “Harmonium in My Memory”, followed
by three even more successful pictures “JSA: Joint
Security Area”(2000), “Bungee Jumping of Their
Own” (2000) and “The Poisoning”(2002). “Three
2: Cut” marked his first reunion with Park Chan-Wook
after their prior pan-Asia mega hit, “JSA”.
LEE Byung-Hun: Selected Filmography
1995 “Run Away” – directed by KIM Sung-Su
1997 “Ji sang man ga” – directed by KIM Hee-Cheol
1999 “Harmonium In My Memory” – directed by LEE
young-Jae
2000 “Joint Security Area” – directed by PARK
Chan-Wook
“Bungee Jumping of Their Own” – directed by KIM
Dae-Seung
Best Actor -- Pusan Film Critics Association
2001 Audience Choice: Best Actor – Blue Dragon
Awards
“My Beautiful Girl, Mari”(Voice) – directed by
LEE Seong-Kang (animation)
2002 “The Poisoning” – directed by PARK Yong-Hoon
2004 “Three 2: Cut” – directed by PARK Chan-Wook
Hong Kong
Segment – “Dumplings”
Directed by Fruit Chan
Cast Miriam Yeung, BAI Ling & Tony Ka-Fai
Leung
Synopsis
No woman can resist the temptation of potential
rejuvenation – for some it’s a dreamy blissful
chase; for others a never-ending nightmare of
endless pursuit. But Qing can afford it all. An
ex-starlet turned wife of a prominent rich man,
Qing is destined to have this dream come true.
Qing uses a lot of connections to get to the
mysterious chef, Mei to obtain her famous specialty
dumplings. Qing is no gourmet but simply dying
to recover her youth and beauty. At stake is her
new “career” as a housewife of the rich. Mei’s
dumplings claim to deliver the goods. Mei, a former
gynecologist, developed a secret recipe for rejuvenation
which has allowed her to bid farewell to her career
as an abortionist. Now Mei only serves desperate
rich women like Qing. Mei understands a woman’s
need and she can fulfill a woman’s desire -- all
you need is a leap of faith to take a bite into
her special dumplings with usual fillings.
Fruit Chan
Born in 1959 in Guangzhou, China, Fruit Chan moved
to Hong Kong at the age of 10. Considered the
most prominent independent voice in Hong Kong
cinema, Chan ironically started out as an assistant
director and then became a commercial film director.
He rocked the film world in 1997 with his phenomenal
first film “Made in Hong Kong”. Written, directed,
edited and co-produced by Chan, using a cast of
unknown teenagers, the film was shot entirely
on short ends and a shoe-string budget of US$80,000.
“Made in Hong Kong” won many awards throughout
the world including Locarno's Special Jury Prize,
Gijon's Grand Prix Asturias, Nantes' Golden Montgolfiere
as well as Best Film and Best Director from the
Hong Kong Film Awards. In 2000, the first of his
prostitute trilogy “Durian Durian” was presented
in the competitive section of the Venice Film
Festival followed by the second of the trilogy
“Hollywood Hong Kong” in the same competition
in 2001. “Three…Extremes [Dumplings] is Chan’s
first horror film and marks his long-due return
to the world of commercial cinema.
Fruit Chan: Filmography
1991 “Five Lonely Hearts”
1993 “Finale in Blood”
1997 “Made in Hong Kong” -- FIPRESCI Prize – Pusan
Int’l Film Festival 1997
-- Swissair/Crossair Special Prize – Locarno Int’l
Film Festival 1997
-- Golden Montgolfiere – Nantes Three Continents
Festival 1997
-- Grand Prix Asturias – Gijon Int’l Film Festival
1997
-- Best Screenplay – Gijon Int’l Film Festival
1997
-- Best Director – Golden Horse Awards (Taiwan)
1997
-- Best Screenplay – Golden Horse Awards (Taiwan)
1997
-- Best Director – Golden Bauhinia Awards (Hong
Kong) 1998
-- Best Film – Golden Bauhinia Awards (Hong Kong)
1998
-- Best Director – Hong Kong Film Critics Society
Award 1998
-- Best Director – Hong Kong Film Awards 1998
-- Best Picture – Hong Kong Film Awards 1998
1998 “Tke Longest Summer” -- Reader Jury Prize
from the “Standard” – Viennale 1999
-- Film of Merit – Hong Kong Film Critics Society
Award 1999
1999 “Little Cheung” -- Best Screenplay – Golden
Horse Awards (Taiwan) 2000
-- Silver Leopard – Locarno Int’l Film Festival
2000
-- CICAE Award: Special Mention – Locarno Int’l
Film Festival 2000
-- Film of Merit – Hong Kong Film Critics Society
Award 2000
2000 “Durian Durian” -- Best Film – Hong Kong
Film Critics Society Award 2001
-- Best Picture – Golden Horse Awards (Taiwan)
2001
-- Best Screenplay – Golden Horse Awards (Taiwan)
2001
-- Best Screenplay – Hong Kong Film Awards 2001
-- Best Screenplay – Golden Bauhinia Awards (Hong
Kong) 2001
2001 “Hollywood Hong Kong” -- Netpac Award –
Cinemanila Int’l Film Festival 2002
-- Best Director – Golden Horse Awards (Taiwan)
2002
-- Best Screenplay – Hong Kong Film Critics Society
Award 2003
-- Film of Merit – Hong Kong Film Critics Society
Award 2003
2002 “Public Toilet” -- San Marco Prize: Special
Mention – Venice Film Festival 2002
-- FIPRESCI Prize – Split Int’l Film Festival
of New Film 2003
-- Critic Award – Koahsiung Film Festival (Taiwan)
2002
-- Film of Merit – Hong Kong Film Critics Society
Award 2004
2004 “Three…Extremes [Dumplings] --Venice Film
Festival
Miriam Yeung
Miriam Chin-Wah Yeung is one of the most popular
and versatile female artists in Hong Kong. Formerly
a registered nurse, Yeung broke into the entertainment
industry accidentally in 1995 while accompanying
a friend to the audition of a singing contest.
Her friend was disqualified on the spot but Yeung
proceeded to the final winning third place and
taking six Best New Female Vocalist Awards in
the following year. Having put out 8 albums and
winning more than 40 awards for her singing to
date -- -- Yeung has also found the time to perform
in a stage musical, five primetime television
drama series and eleven movies, not to mention
her sold-out concerts, her TV commercials and
numerous charity tasks including the UN Ambassador
for AIDS awareness for the years 2000 and 2002.
The combination of Yeung’s girl next-door appeal
and her off-beat humor has won her huge support
from a wide range of fans making Yeung a star.
Since her box office success in a local romantic
comedy “Love Undercover” in 2002, a Yeung-cast
feature has become a standard requirement in every
one of Hong Kong’s box-office seasons. Being accountable
for a box-office total of 87 million Hong Kong
Dollars in the year 2003 alone (with 3 Top-ten
Grossing Chinese features), Yeung is determined
to go beyond the comedy genre under the direction
of acclaimed director Fruit Chan in his horror
film “Three...Extremes: Dumplings”.
Miriam Yeung: Filmography
2004 “Three…Extremes [ Dumplings] -- directed
by Fruit Chan
“Elixir of Love” -- directed by YIP Kam-Hung
2003 “Anna in Kung-Fu Land” -- directed by YIP
Wai-Man
“Colors of Sound” -- directed by Joe Ma
“Dragon Loaded 2003” -- directed by Vincent Kok
“Love Undercover 2” -- directed by Joe Ma
“My Lucky Star” -- directed by Vincent Kok
2002 “Frugal Game” -- directed by CHIU Sung-Kee
“Love Undercover” -- directed by Joe Ma -- Audience’s
Choice Award, the 4th Udine Far East Film Festival
“Dry Wood, Fierce Fire” -- directed by Wilson
Yip
2001 “Feel 100%” -- directed by Joe Ma
“Dummy Mommy” -- directed by Joe Ma
1998 “Group” -- directed by Alfred Cheung
BAI Ling
A star of stage and screen in her native China,
BAI Ling has proven herself to be a major success
around the globe with roles in blockbuster adventures,
big screen comedies and gritty independent films
around the globe.
BAI Ling first came to the attention of international
audiences and critics alike in 1997 when she starred
as the court-appointed defense attorney to Richard
Gere's in RED CORNER. She received numerous accolades
across the U.S. for her powerful performance including
the prestigious 1997 Breakthrough Award from the
National Board of Review and the Discovery Star
of 1997 awarded by the Hollywood Women's Press
Club for their Golden Apple Awards. As a cap-off
to an incredible year, BAI Ling was selected by
People Magazine as one of the 50 Most Beautiful
People in the World.
Born in the Szechwan province of China, BAI Ling's
first exposure to acting came at the age of 14
when she enlisted in the army as part of a performance
troop for soldiers in Tibet. She went on to refine
her craft with the Szechwan Theater Company where
she came to the attention of both traditional
and progressive Chinese directors including ZHENG
Jun-Zhao whom she worked with on the 1988 production
Arc Light. In 1991, BAI Ling emigrated to the
United States relocating herself in NYU’s Film
School as a Visiting Scholar. After playing her
first English language role as a villain in THE
CROW, BAI Ling found steady work in Hollywood
since working with prestigious filmmakers including
Oliver Stone, Terence Malick, Luc Besson and Spike
Lee to name a few. The latest films on her slate
are Kerry Conan’s star-studded sci-fi SKY CAPTION
AND THE WORLD OF TOMORROW (starring Jude Law,
Gwyneth Paltrow and Angelina Jolie) , George Lucas’
quintessential epic sequel STAR WARS: EPISODE
3, and, THRE…Extremes[ DUMPLINGS] – Bai Ling’s
long-due return to the Chinese cinema and her
first ever Hong Kong film.
Bai Ling: Filmography
2005 “Star Wars: Episode 3” – directed by George
Lucas
2004 “Three…Extremes[Dumplings] – directed by
Fruit Chan
“Sky Caption and the World of Tomorrow” – directed
by Kerry Conran
“Beautiful Country” – directed by Hans Petter
Moland
“She hates Me” – directed by Spike Lee
“My Baby’s Daddy” – directed by Cheryl Dunye
2003 “Paris” – directed by Ramin Niami
“The Extreme Team” – directed by Leslie Libman
“Taxi 3” – directed by Gerard Krawczyk
2002 “Code Hunter” – directed by Terry Cunningham
“Face” – directed by Bertha Bay-Sa Pan
2001 “The Breed” – directed by Michael Oblowitz
1999 “Anna and the King” – directed by Andy Tennant
“Wild Wild West” – directed by Barry Sonnenfeld
1998 “Row Yoour Boat” – directed by Sollace Mitchell
“Somewhere in the City” – directed by Ramin Niami
1997 “Red Corner” – directed by Jon Avnet
1995 “Nixon” – directed by Oliver stone
1994 “Dead Funny” – directed by John Feldman
“The Crow” – directed by Alex Proyas
1988 “Arc Light” – directed by ZHENG Jun-Zhao
1987 “Shan cun feng yue” – directed by ZHAO Wen
Tony Ka-Fai Leung
LEUNG Ka-Fai Tony is one of the most respected
names in the Hong Kong film industry. His immense
popularity has given him more than 80 movie to
date. Proving his talent with his very first acting
role, Leung won his first Best Actor honor in
1984 playing the Last Emperor in “Reign Behind
A Curtain”. An eight times Best Actor nominee
at the Hong Kong Film Awards and a winner twice,
Leung also has a Best Supporting Actor Award under
his belt, and from Taiwan’s Golden Horse Awards,
and a Best Actor Award.
Regardless of his very busy shooting schedule,
Leung has actively sought to pursue other interests
including putting out a CD album in 1996, producing
an independent film in 1999, and acting in a stage
play from 2000 to 2001. The Nelson Yu film “Love
Will Tear Us Apart” which Leung produced and also
acted in was admitted to Competition in the Cannes
Film Festival in 1999.
A virtuoso actor with an astonishing versatility,
Leung possesses a long list of unforgettable roles
including the hopeless romantic in the record-breaking
French production “The Lover”, the bitter and
manipulative swordsman in the WONG Kar-Wai classic
“Ashes of Time”, the unforgiving detective in
Taiwan’s recording breaking production “Double
Vision”, and the morbidly funny and horny professor
in “Golden Chicken”. “Three…Extremes: Dumplings”
is Leung’s second time to work with Applause Pictures.
Tony Ka-Fai Leung: Selected Filmography
2004 “20, 30, 40” – directed by Sylvia Chang
“Three…Extremes [Dumplings] – directed by Fruit
Chan
2003 “Zhou Yu’s Train” – directed by ZHOU Sun
“Men Suddenly in Black” – directed by PING Ho-Cheung
– Best Supporting Actor (HKFA 2004)
2002 “Golden Chicken” – directed by Samson Chui
“Double Vision” – directed by CHEN Kuo-Fu -- Best
Actor Nomination (HKFA 2003)
2000 “Jiang Hu – The Triad Zone” – directed by
Dante Lam -- Best Actor Nomination (HKFA 2001)
1999 “Love will tear us apart” – directed by
Nelson Yu
“Victim” – directed by Ringo Lam
1997 “Island of Greed” – directed by Michael
Mak -- Best Actor Nomination (HKFA 1998)
1995 1995 Louis Cartier Awards of Excellence
in the Best Actor category
1994 “Ashes of time” – directed by WONG Kar-Wai
1993 “He ain’t heavy, he’s my father” – directed
by Peter Ho-Sun Chan
1992 Actor of the Year from Hong Kong Artist’s
Guild 1992
“Center Stage” – directed by Stanley Kwan
“The Lover” – directed by Jean-Jacques Annaud
“King of Chess” – directed by YIM Ho and TSUI
Hak -- Best Actor Nomination (HKFA 1993)
“92 The Legendary la Rose Noire” – directed by
Jeffrey Lau -- Best Actor (HKFA 1993)
1991 “This thing called love” – directed by LEE
Chi-Ngai
1990 “Farewell China” – directed by Clara Law
-- Best Actor (Taiwan Golden Horse Awards 1991)
-- Best Actor Nomination (HKFA 1991)
1989 “A better tomorrow – Part 3” – directed
by TSUI Hak
1987 “Prison on Fire” – directed by Ringo Lam
“People’s Hero” – directed by Derek Yee
1986 “Foh Lung: The Last Emperor” – directed by
LEE Hong-Cheung
-- Best Actor Nomination (HKFA 1987)
1983 “Reign behind a curtain” – directed by LEE
Hong-Cheung -- Best Actor (HKFA 1984)
Rating: R for
strong disturbing violent content, some involving
abortion and torture, and for sexuality and language
Running time: 125 minutes
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